Tokyo Story

Directed by Yasujiro OzuWritten by Kôgo Noda,Yasujiro Ozu
With a sense of nostalgia, many times I hit the feeling of pathos.


Why are the elderly couple will also speak so slowly. Beginning to feel uncomfortable with the pace. Especially a grandfather (Chishu Ryu) also seem to read from the line and you. It could not feel any discomfort, but that should continue for ever more “fragile” for him will feel included.
So, I watched the movie “I can not say goodbye” to feel a sense of the characters. This is the “shape of the Japan Family,” or to be empathetic, “space movie” How do you feel is not known exactly. What’s sure is a style of Yasujiro Ozu.
As we create and sustain the pace of the conversation carefully, repeated the fixed video camera that connects the low-angle shot with the same music many times. It was enveloped in a sense of security that this world continues to remain close to the time yet.

Monday Morning (2002) / Lundi matin

Lundi matin (2002) Director:Otar IosselianiWriter:Otar Iosseliani


Nattier no expansion of the line. Aki Kaurismäki's style I like. Have a lot of little jokes. Play like it. Appeared to many people, the drama occurring in the same city, Robert Altman's "Short Cuts" to remember.

The "Short Cuts" was aiming for the sequence and complexity to the drama of each cycle, the movie is "Before drama" of "fragments of the act can be called the record" to continue the chain.

Brothers make the bike a lot. The boy will receive one of them. Leaving over the boy, his father emerged from the car angrily. Boys go to church. Girl talk in phone BOX. Black men to call. And his father placed the boy with the bike. Black men go to church. Write a letter to ask the boy's brother. And so on.

In a long scene, to the best possible representation of different situations. To touch off another person. If so hectic, so one simple connection, watching without thinking too much. To produce simple, however, explain the many episodes of "formal" because, in the first half, according to the type of person or actions that appear in almost one area.

This is simply a montage of the movie is made by a simple mechanism that the world will know it, inspire a sense that they are just watching.
The second half of the movie will change the load. The basic approach has been continued. Traveling in the construction of the narrative, which traces the early life appears to be very flat world is portrayed. That is to say that it is a particularly dull, and they are reduced to a small theater-like improvisation. Jacques Tati like world.

The sudden disappearance of a father, he got back from a trip to the murder, the family is to accept nothing happened. Father only, so sorry, had some trepidation. When his father felt this was not representing the views of the world sees. Why?

Already been drawn from the first half in this flat world is a natural development. The father had the most outrageous acts, but was present to represent the norms that are connected to reality? This means that our reality is, even the most unreasonable, that the world looks flat, nothing strange is not it.

Short Cuts

Director:Robert Altman

Raymond Carver short stories and poetry of the motif. Robert Altman directed it. Spread by human comedy big colorful cast. 3-hour epic. 22 characters. Novels like "sin-semillas.com" and the movie "Magnolia" is like. No, rather than the past? Have an impact on the drama rather than a lot of sculptured group drama Altman.

The first 30 minutes, some of the most character. I'm not sure which is connected with other families. My head hurts. "GOSFORD PARK" I felt like it. Everyone will know the relationship over time. Several families living in the city not so big too. Seem to be connected in some people.

To have exquisite timing between consecutive scenes. Someone you open the door, the scene has changed in the family. During the time he was two minutes ago, another family is a serious matter. The episode not related to each other at all, it looks as if it is related.

This perspective is very interesting!. Consciousness while at the same time a number of developments, in a survey that looked at the other. The only common time axis. Almost forgotten. And clear, but in the last earthquake.

Each of their lives, just visible in the world to me. Without knowing their neighbors and so on are involved in subtle. All have been notified only seen this side. It is God's perspective. The vast amount of information about our many characters, I feel that getting. This is a work of great satisfaction in just looking.

Monologue

It was filmed in my room.
It's taken by me to edit and cast in video.
The telop is quoted in by my favorite novel.
The novelist is, Nakahara Masaya.
He is also the artist of the noise unit.

License to Live

1999 License to Live (Ningen gōkaku)
Director: Kiyoshi Kurosawa
Main Cast: Hidetoshi Nishijima, Koji Yakusho, Shun Sugata, Lily, Kumiko Aso
Release Year: 1998
Country: JP
Run Time: 109 minutes

Kiyoshi Kurosawa is a Japanese filmmaker best known for his many contributions to the J-horror genre.

This reality, and even their existence, what really is not a dream, my feelings have come to see the transition can not check. A sense of unreality to reality, I was drawn to all the words before the death of the youth, reach a climax. The description is just quiet, I keep close to heart rather tightly.

Road Movie is love!

People are driving by car on the ground repeatedly, The town a small life into the wilderness, Resume or be moved to the disappearance of something, Human and sometimes fight each other, It is what draws them, Rhode Movie.
Please tell me about your favorite movies!